Wall Mounted Light by Wilhelm Wagenfeld for Lindner, 1950s

About This Piece

Vintage Design

Wall Mounted Light By Wilhelm Wagenfeld For Lindner Circa 1950s. White porcelain housing with opaline glass shade - Takes E27 fitting bulbs - Designed by Wilhelm Wagenfeld - Produced by Lindner, Model 961 - German ~ 1950s - 16cm tall x 36cm wide x 36cm deep Wilhelm Wagenfeld Wilhelm Wagenfeld completed an apprenticeship at the design office of the Bremen silverware factory of Koch & Bergfeld during the First World War. In addition, he attended the local applied arts school from 1916 to 1919. Between 1919 and 1922, he received a scholarship to the State Design Academy of Hanau/Main and trained to become a silversmith. In 1923, he set up a workshop at the Barkenhoff in Worpswede with Bernhard Hoetger and Heinrich Vogeler. This is also the year that he began studying at the State Bauhaus in Weimar. During this time, Wagenfeld designed works such as his famous Bauhaus lamp in 1924. After the dissolution of the Bauhaus Weimar on 1 April 1925, he became a member of the German Werkbund and accepted the position of assistant to Richard Winkelmayer, the head of the metal workshop at the State Academy of Crafts and Architecture in Weimar. In 1928, he took over the direction of these metal workshops. He and many of the other teachers at the academy were fired in 1930 at the insistence of the NSDAP party, which was represented in the Thuringian Landtag. Starting in 1930, this was followed by freelance work and a commission from the Thuringian Economics Ministry to supervise independent glassblowers. In addition, he was asked to begin teaching at the State Art Academy Grunewaldstrasse in Berlin-Schöneberg in 1931 and began working as a freelance employee of the Jena Schott & Gen. glass factory at that time. from 1935 to 1947, he was the artistic director of the United Lausitzer Glass Works (Vereinigte Lausitzer Glaswerke) in Weisswasser/Oberlausitz. In 1937, his work exhibited at the Paris World Exhibition was distinguished with the Grand Prix. The same award was bestowed on him in 1940 by the Milan Triennale. Following his military service in 1944 and war imprisonment in 1945, Wagenfeld returned to Weisswasser. He subsequently received numerous appointments to academies. This included a lectureship at the Berlin Academy of Fine Arts through Hans Scharoun, as well as the directorship for the Typing and Standardisation Department at the Institute for Civil Engineering at the German Academy of the Sciences. In 1949, Wagenfeld was given a position as a consultant for industrial design at the Württemberg State Office of Trade in Stuttgart. Between 1950 and 1977, he collaborated with the Württemberg Metal Works (Württembergische Metallwarenfabrik AG, WMF) in Geislingen. He founded the Experimental and Developmental Workshop for Industry Models in Stuttgart in 1954, which existed until 1978. This is where designs were created for many industrial enterprises such as the Rosenthal-Porzellan AG, the Peill & Putzler Glashüttenwerke GmbH, the Braun Company and the Pelikan factory. from 1955 Wilhelm Wagenfeld began to design for Lindner. Ceiling, wall, corner and mirror lights. Lindner In 1901 Kurt Lindner ( born March 10, 1877 in Großenhain, Saxony; April 6, 1966 in Eggolsheim, Bavaria) took over the management of a bankrupt factory for electrical ceramics (fuses, sockets, switches, etc.) in Jecha near Sondershausen /Thuringia. from 1902 the company, now called Lindner & Co., became a special factory for electrotechnical products. 1925 1,100 employees. 1938 Takeover of the company Hugo Löbl und Sons in Bamberg (Aryanization). 1946 dismantling by the Soviet Union. 1948 The company becomes public property. Kurt Lindner (born November 27, 1906 in Sondershausen; November 17, 1987 in Bamberg) moved to Eggolsheim near Bamberg, where the existing plant was expanded. from 1955 Wilhelm Wagenfeld began to design for Lindner. Ceiling, wall, corner and mirror lights. Condition Report Each light has been cleaned, re wired and tested. There is a chip to the inner lip of the glass on one shade however this does not affect the function of the lamp nor is it visible when the lamp is installed and assembled.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Wilhelm Wagenfeld
Design Period	Before 1890
Production Period	Before 1890
Country of Manufacture	Germany
Style	Vintage, Industrial, Bauhaus
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
SKU	MGO-2039527
Materials	Glass, Metal, Mirror, Opaline Glass, Porcelain
Color	Brown
Width	36 cm 36 cm
Depth	36 cm 36 cm
Height	16 cm 16 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from	United Kingdom
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Wilhelm Wagenfeld

Born in Bremen, Germany in 1900, Wilhelm Wagenfeld was an important pioneer of modernist design. At age 16, he began an apprenticeship in industrial drafting at the Koch & Bergfeld silverware workshop in Bremen. After the end of the First World War, he received a scholarship to study at the Fachschule für Edelmetalle / Hanau Drawing Academy.

In 1923, Wagenfeld enrolled in the legendary Bauhaus school in Weimar, where he studied metalworking under László Moholy-Nagy and Christian Dell. Wagenfeld’s most iconic design came out of his first year at the Bauhaus: A glass and chrome table lamp, a.k.a. the MT8 or the Bauhaus Lamp, co-designed by Wagenfeld and Carl Jacob Jucker circa 1923 for production in the Bauhaus Metal Workshop. According to the V&A, the first of these lamps were produced in the spring of 1924 and, by the autumn of that year, at least 80 had been produced with a metal base and 45 with a glass base. Production of the lamp continued at the Dessau Bauhaus and, from 1928, both versions were produced under license by Schwintzer & Graff in Berlin. In 1930, Bunter & Remmeler in Frankfurt began producing a variant model, and in 1931 Wagenfeld reworked the design and a further version was produced by Architekturbedarf in Dresden. Today, the lamp is produced by German manufacturer Technolumen.

When the Bauhaus relocated to Dessau in 1925, Wagenfeld took a position in the metal workshops of the Staatliche Bauhochschule Weimar, where he eventually became the director—between 1928 until it was closed by the Nazis in 1930. Wagenfeld then began working for Jenaer Glaswerk Schott & Gen in Mainz, where he produced an enduring tableware collection in heat-resistant glass (ca. 1932). Later in the 1930s, Wagenfeld designed his famous, stackable Kubis Storage Containers (1938) for Vereinigte Lausitzer Glaswerke.

During the Second World War, Wagenfeld was deemed hostile to the Nazi Party and sent to the Eastern front to fight. Captured by the Russians, he finished the war in a Russian camp.

Following the war, Wagenfeld returned to a prominent position within the German design community, receiving numerous teaching appointments alongside commissions from design brands like Braun, Hutschenreuther, Fürstenberg, and Rosenthal.

Wagenfeld’s timelessly simple designs have received several awards, including the Grand Prix at the 1937 World Fair in Paris and at 1940 Milan Triennale. For more insight into to his unique design approach, check out his 1948 book of essays, Wesen und Gestalt.

Today you can find a museum dedicated to Wagenfeld’s work, along with a design school named in Wagenfeld’s honor, in his hometown of Bremen.

* Images courtesy of the Wilhelm Wagenfeld Foundation