Large Danish Ceramic Dish Bowl by Per Linnemann-Schmidt for Palshus, 1960s

About This Piece

Vintage Design

Large round ceramic vide-poche or low bowl in beige-brown earth tones.

Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linnemann-Schmidt.

The couple created and produced chamotte (danish clay) objects, often with impressed decorations (tableware, vases, and lamps). Colors were characteristic Scandinavian earthy tones: blues, browns, greens and beige.

Many other talented ceramic artists also worked for Palshus including Jens H. Quistgaard and Esben Klint.

The plate is signed under the base : Palshus and PLS for Per Linnemann-Schmidt, model 436.

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Creator	Per Linnemann-Schmidt
Manufacturer	Palshus
Design Period	1960 to 1969
Production Period	1970 to 1979, 1960 to 1969
Country of Manufacture	Denmark
Identifying Marks	This piece has an attribution mark
Style	Danish Design, Vintage, Midcentury, Scandinavian Modern, Hand-Crafted
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
	The vendor has confirmed this piece is in working order.
Restoration and Damage Details	Light wear consistent with age and use
SKU	ZM-1733811
Materials	Ceramic, Clay
Color	Beige, brown, grey, tan
Height	5 cm 4.5 cm
Diameter	26 cm

Shipping & Delivery

Ships from	Belgium
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Per Linnemann-Schmidt

Danish sculptor and ceramic artist Per Ingvard Henrik Wulff Linnemann-Schmidt was born in 1912 in Copenhagen. Son of the Danish sculptor Willie Wulff (1881-1962), he later took his stepfather’s surname, Schmidt. In 1931, Linnemann-Schmidt began studying at the Royal Academy of Art in Copenhagen, where he honed his skills as a draftsman in life and figure drawing, and as a sculptor in clay plaster and bronze. During the 1930s and ‘40s, he specialized in portrait sculptures, and was commissioned by many private clients.

In 1949, together with his wife Annelise Linnemann-Schmidt (née Sprechler, 1918-1969), the pair established Palshus Stentøj (Stoneware) in Sengeløse, located outside of Copenhagen. The name Palshus was a combination of both of their initals with the addition of the Danish word for house, Hus. Linnemann-Schmidt designed and created the pieces which included tableware , vases , and lamps , while his wife ran the company. Their pieces were sold in the department store Den Permanente in Copenhagen. Per was self taught in glazing techniques and perfected the beautiful matte "Haresfur" glazes. Colors were characteristic Scandinavian earthy tones: blues, browns, and beige. Many talented ceramic artists also worked for Palhus including Jens H. Quistgaard;Kjeld Jordan, who specialized in animal and bird figures; sculptor Billy Eberlein; and the Cuban-American Hugo de Soto, who created chess pieces for Pahus in addition to his own abstract art.

Palhus struggled after being accused of plagiarizing designs by fellow Danish ceramics factory Saxbo in the late 1950s. Following the suddent death of Annelise in 1969, Linneman-Schmidt closed Palhus for good in 1972. He returned to his first vocation as an artist: drawing, painting, and sculpting. a number of pieces before passing away in 1999.